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Master It - Stereo Mini 4-Pole Plugs

2022-11-07

Theme:Serviceman Diaries, PA

The stereo mini 3.5mm plug is commonly found in earphones and headphones.
When you say Mini, Mini-plug or 3.5mm Plug, you are probably thinking of a TRS/3-pole plug.

Stereo Mini 3-pole

Nowadays, not only 3-pole, but also 4-pole plugs can be found on the market.

Stereo Mini 4-pole

However, the standards for these 4-pole plugs are unclear and there are many different types of pin assignments, which can cause problems with signal transmission between devices.
In this article, I would like to take a closer look at the 4-pole stereo mini plug and discuss a few of the most important aspects of the 4-pole plug.

■ Two Typical Types of 4-pole Plugs

TRRS/4-pole, but there are two main specifications.
Firstly, please take a look at the images below.

This is the CTIA standard vs. the OMTP standard.

As many of you may know, the standards are divided by whether it is an iPhone system or not.
The difference is simple: the pin assignments for ground and MIC are different.

  • CTIA standard is R2: GND (-), S: MIC (+)
  • OMTP standard: R2: MIC (+), S: GND (-)

(*R=RING, S=SLEEVE, R2 means the second of RING).

CTIA (Cellular Telephone Industry Association) is a standard used in some smartphones, particularly the iPhone, and has the letter ‘I’ in its abbreviation, so remember that CTIA is an iPhone-based standard.

OMTP (Open Mobile Terminal Platform) is a standard for some Android-based smartphones.

Recently, adapters for interchanging these pin assignments are also available on the market, so it is necessary to check the above pin assignments and names carefully in order to make good use of them.

Now, there are also other balanced systems for video.
Let's check these as well.

■ Balanced System

In the Sony MDR-1A headphones, the left and right independent balanced system is used for wiring.
The image below shows the pin assignment of the re-cable plugs from Oyaide Electric.

Source:Oyaide Electric

In some cases, signals are transmitted using the left-right independent balance method, so knowing about this is not the same as not knowing about it.
If you are aware that there are 4-pole plugs with this type of pin assignment, I think you can prevent trouble from occurring due to incorrect usage.

■ For Video

First of all, let's take a look at the structure of the pin assignment for video.
See the image below.

Composite

Video cables almost always have a yellow RCA terminal attached to the video terminal.

Generally speaking
Yellow: video
White: audio (L)
Red: audio (R)
3-pole + ground, converted to a 4-pole plug.
Other plugs with different colors or with opposite audio assignments are sometimes available, but my impression is that they are not very common.

In researching 4-pole plugs for video, I found that they are in a confusing state due to the lack of standardization of pin assignments.
Looking specifically at the sales page for the plugs, it states, “Due to the lack of uniformity in standards, please check the pin assignment carefully!” was noticed quite often.
After a quick search, I quickly found the following two types.

I took this opportunity to sort out the 4-pin assignments for video.
As far as I could ascertain, there are four patterns, and the one with the highest number seems to be the most commonly used pin assignment at present.
The following diagram summarizes the four patterns, so please use it as a reference.

The standard for 4-pole plugs is still ambiguous and various pin assignments are being mixed together.
First of all, it is important to be aware of what kind of plugs exist and when a problem occurs, so you need to ask yourself, “Have I already seen this before?" I think it is important to be aware of what kind of things exist, so that when a problem occurs, you will be able to recognize it.
The items shown here may not be all of them.
However, I hope this article will help you to find a solution to your problems.
That's all for today's lesson on the 4-pole plug.

Tsukasa Horie

社会人経験を経て、ESPギタークラフトアカデミー卒業後、楽器音響業界へ。音響機器修理エンジニア就いて10年。PA音響機器の修理を中心に数多く携わってきました。年々修理分野の幅を広げ、現場で培ってきた知識・経験・技術を土台に、時代とともに変化する新しい技術や製品へ対応すべく歩み続けています。主にJBL、QSC、BEHRINGER、SUMMITAUDIOを中心とした音響機器の修理に従事。電源機器の修理サポートも行っています。第2種電気工事士資格保有。

 
 
 

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