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[DTM] Graduating from USB Microphones! Recommended Entry-Level XLR Mics

2025-11-30

Theme:sound&person, Audio equipment

During Covid, many people most likely bought microphones to make telework and calls with friends more comfortable. It’s well known that audio interfaces became scarce, but what kind of microphones did everyone buy?

Microphones can be broadly divided into two types: those that connect via USB, and those that connect through an audio interface. They bought a USB microphone because they prioritized convenience over sound quality, they didn’t use it very frequently, or they didn’t care about appearance (I think it cost about 4,000 yen online). However, after starting DTM, I increasingly found myself dissatisfied with the USB microphone. So, I decided to upgrade my microphone this time, and I would like to talk about its benefits. By the way, the microphones I’m introducing here are aimed at beginners to intermediate users, so the hurdle to entry isn’t very high. Please consider giving them a try.

What do you want to do with a microphone?

What do you want to do with a microphone? What are you interested in doing? This is the biggest question. Until now, I had only used a microphone for calls, so a USB mic posed no inconvenience. But after starting DTM and using a DAW (music production software), I wanted to record my own voice and the sound of my acoustic guitar. However, with my USB microphone, I couldn’t record into the DAW without using external mixer software. In other words, a strange situation occurred in which the electric guitar had to go through the audio interface into the mixer software, the USB microphone audio also went into the mixer software, and only then could both be sent to the DAW through that mixer software.

What solved all of this at once was using a microphone through an audio interface. This way, both the electric guitar and microphone audio can be input into the audio interface and sent directly to the DAW.

What should you buy?

When I first considered buying a microphone, I had no idea what to get. Condenser mics, dynamic mics, pop guards, arms, stands—and even cables…

After doing some research, I found that the following two microphones suited my needs:

For a dynamic microphone

CLASSIC PRO / CM5S Dynamic Microphone

CLASSIC PRO / CM5S Dynamic Microphone

An extremely famous, dynamic mic at an unbeatable price. You could buy six of these for the price of a certain well-known microphone. It was my top candidate among dynamic mics.

For a condenser microphone

BEHRINGER / C-1 Studio Condenser Microphone

BEHRINGER / C-1 Studio Condenser Microphone

This was a mic I had been curious about for a long time. For a condenser microphone, the price is quite good…

After various twists and turns, I ultimately decided on a condenser microphone. There were several reasons: I wanted to record acoustic guitar, the price was great, and, to be honest, and for the simple reason that it looked more professional for the price.

By the way, I also purchased a mic cable, mic stand, and pop guard along with it.

CLASSIC PRO / PGM4

CLASSIC PRO / PGM4

Because condenser microphones are highly sensitive, sibilant sounds (like s or th) and they easily pick up breathing noise, so I recommend using a pop guard. I bought this one from CLASSIC PRO.

CLASSIC PRO / HMX010 High-End Microphone Cable

CLASSIC PRO / HMX010 High-End Microphone Cable

The cable uses an XLR type, which is different from instrument cables, so be careful not to mix them up.

CLASSIC PRO / MSB/BLACK Boom Microphone Stand

CLASSIC PRO / MSB/BLACK Boom Microphone Stand

A stand isn’t absolutely essential, but without one, you’ll have to hold the mic by hand the whole time. Since my desk shakes easily, I chose a floor-standing type.

Other products I considered

Actually, I struggled quite a bit before arriving at the conclusion above. Here are some other candidates that I considered.

SHURE / SM58

SHURE / SM58

A classic, iconic dynamic microphone. I’ve used it in a studio, and as its reputation suggests, it seems very robust. However, I passed on it due to budget constraints…

audio-technica / AT2020

audio technica / AT2020

This is often used by streamers, from the impression I get. The higher-end AT4040 is also popular. If you could unify the look with an audio-technica pop guard and arm, it would also look good aesthetically.

JTS / PDM-57 Instrument Microphone

JTS / PDM-57 Instrument Microphone

I decided against this one because I don’t play acoustic guitar every day. I do think it would work very well for singing with guitar accompaniment.

CLASSIC PRO / CDA5B Desk Arm Stand

CLASSIC PRO / CDA5B Desk Arm Stand

CLASSIC PRO / DTMS Desktop Microphone Stand

CLASSIC PRO / DTMS Desktop Microphone Stand

Placing a stand on the floor reduces shaking, but it can feel cramped. Arms and desktop stands like these are also good options.

⇒ Related Article: Difference Between Dynamic Microphone and Condenser Microphone — With Microphone Terminology Explained

Summary

How was it? For those of you who are using a USB microphone and also own an audio interface—why not take this opportunity to upgrade your mic? Not only will the sound quality improve, but the appearance will look better too, which is sure to boost your motivation.

⇒ List of Equipment Needed for DTM


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Amane

高校時代に、ピアノを巧みに弾いていた友人に感化され、ゼロから楽器を始めました。エレキギター、エレキベース、アコースティックギター、キーボードを弾きます。たまにチェロとかコントラバス。弦楽器の沼に引き込まれ中。次は三味線を弾きたい。

JTS / PDM-57 (with holder)

JTS

PDM-57 (with holder)

¥3,980(incl. tax)

Dynamic Mic, with mic. holder/thread adapter

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audio technica / AT2020

audio technica

AT2020

¥13,200(incl. tax)

Condenser microphone, unidirectional

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BEHRINGER / C-1

BEHRINGER

C-1

¥7,580(incl. tax)

Condenser microphone, unidirectional

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CLASSIC PRO / CDA5B

CLASSIC PRO

CDA5B

¥1,980(incl. tax)

Microphone stand, desk arm type

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CLASSIC PRO / CM5S

CLASSIC PRO

CM5S

¥1,980(incl. tax)

Dynamic microphone with on/off switch, for vocals, speeches, and karaoke, includes microphone holder and hard case, ideal for beginners

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CLASSIC PRO / HMX010

CLASSIC PRO

HMX010

¥1,380(incl. tax)

Microphone cable, XLR (male) to XLR (female), 1m, 6NOCC cable

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CLASSIC PRO / MSBB

CLASSIC PRO

MSBB

¥2,480(incl. tax)

Black, height 90-160cm, boom length 82.5cm

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CLASSIC PRO / MS030-CP

CLASSIC PRO

MS030-CP

¥1,580(incl. tax)

Tabletop microphone stand, circular base

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CLASSIC PRO / SPS026

CLASSIC PRO

SPS026

¥1,980(incl. tax)

Metal Pop Filter

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SHURE / SM58-LCE

SHURE

SM58-LCE

¥15,450(incl. tax)

Dynamic microphone, unidirectional, for vocals, no ON/OFF switch

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