The 1972 uses the latest THAT Corporation technology on two independent microphone preamps to provide you with extremely clean, transparent and accurate recordings that you can later process using any method you prefer: compression, EQ, saturation, valve, transformer, tape, etc. Each channel is capable of 66dB of graduated gain, has an additional +/-12dB of trim on the output, and incorporates switchable microphone impedance for precise mic matching, allowing you to get the best performance from the microphones you use. It also provides a way to ""sculpt"" the sound of dynamic and low impedance ribbon microphones.
Capture difficult sources
In addition to the standard features found on most preamps, such as phase inversion, the 1972 also has a wealth of tools to help you when recording difficult sources, making it easy to get the highest quality recordings.
Fully variable LoCut and HiCut controls are included, allowing you to tune into your recording and remove excess low and high frequency signal to easily eliminate rumble and hiss. Additionally, the Shape feature allows you to bring out the bass or treble with a subtle tilt EQ.
Record low-level signals with ease
A unique feature developed by Ivor Drawmer and currently only available on the 1972 is the Lift control. Lift is essentially a low-level dynamic gain module that has no effect on signals above 0dB. This allows you to record very quiet signals in a transparent and natural way without distortion or clipping during louder phrases. It is especially effective on very dynamic signals and is ideal for recording all vocals including piano and speech, as well as capturing air.
Variable Mic Impedance
The general rule is that the impedance of the preamp input should be 10 times the impedance of the microphone to get the right input impedance for your microphone and avoid loading the source, but what is less known is that a mismatch can produce interesting tonal differences that can be used more creatively. The 1972 has three settings for each microphone input - 200, 600 and 2400 ohms - making it easy to explore different tones. Results will vary depending on the microphone you use. Some microphones will have a clear change in sound quality, while others will have very little change. It also depends on the material you use.
Features
- Two THAT Corporation Ultra Clean Mic Pres with 66dB of gain in 6dB steps and +/-12dB trim on the output.
- Separate line & mic input XLR on the back and a professional quality instrument DI input on the front panel.
- Works with a variety of sources, from low to high end, instruments and all types of studio microphones, even ribbon microphones.
- Switchable mic impedance for precise mic matching and mic tone sculpting.
- A wealth of features not found in other preamps makes it easy to capture difficult to record sources.
- Unique Lift function to boost very small signals without clipping large signals.
- Fully variable LoCut and HiCut filters to tune into your signal and remove unwanted sounds.
- Shape switch for control of bass and treble with subtle tilt EQ.
- Phantom power and phase inversion.
- Two backlit analog VU meters with switchable +10dB rescale mode.
- Time delay relay on output for clean power up/down.
- Internal low hum toroidal linear power supply with voltage selector switch.
- Rugged steel chassis and aluminium front panel.
- Designed and handcrafted by Drawmer in the UK.
■Specifications
INPUT
・・・Input Impedance 20k Ohms or greater
...Maximum Input Level +21dBu
OUTPUT
・・・Output Impedance 100 Ohms
...Maximum Output Level +21dBu into 10k Ohms Load
FREQUENCY RESPONSE
・・・20Hz to 20kHz +/-0.5dB
CROSSTALK < -85dB @ 1kHz
NOISE AT UNITY GAIN
・・・20Hz - 20kHz >92dB
% DISTORTION (THD & NOISE) @ 1kHz
...0dB 0.07%
...10dB 0.07%
MIC EIN -130dB Weighted
POWER REQUIREMENTS
・・・230Volt or 115V at 50-60hZ, 15VA
FUSE RATING
・・・T160mA for 230Volt,
・・・T315mA for 115Volt
・・・Conforming to IEC 127-2
FUSE TYPE
・・・20mm x 5mm, Class 3 Timed-Blo, 250Volt working
CASE SIZE
・・・482mm (W) x 44mm (H) x 200mm (D)
WEIGHT 2.6Kgs
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