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Vagabond Synth Nerd’s Journal Vol. 237 - The Meeting of Monster Machine and Korg’s Nautilus: Electronic Piano Edition Part II
■ Evaluating the Five Virtual Sound Sources of the EP-1 Engine in the Korg Nautilus This is Part II of my deep-dive r
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How I Got Into the Blues From My J-Rock Roots
For guitar players, the blues is arguably one of the most important genres to discover. Over the years, I’ve gone
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Vagabond Synth Nerd’s Journal Vol. 236 - The Meeting of Monster Machine and Korg’s Nautilus: Electronic Piano Edition
Korg Nautilus: How Does the Virtual Electric Piano Sound? This report dives into the electric piano sounds in Korg&rs
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Brand-New Pristine American Made Fenders You Can Buy for Under 40,000 Yen! [First Half]
When it came to imported electric guitars, it was all about Gibson or Fender until the 1970s. These guitars were far out
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Vagabond Synth Nerd’s Journal Vol. 235 - The Meeting of Monster Machine and Korg’s Nautilus: Extra Ports Edition
■ Before Testing the NAUTILUS EP-1 Electric Piano Simulated Sound Engine This time, I planned to cover the electric p
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See the Effect of the Buffer for Yourself!
The Role of the Buffer When the signal from an electric guitar travels through an effects board and reaches the ampli
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Vagabond Synth Nerd’s Journal Vol. 234 - The Meeting of Monster Machine and Korg’s Nautilus: Setting the Split Point on the CX-3 Virtual Organ Sound Source
■ Korg Nautilus CX-3 Sound Source Split Point Setting This time, I was planning a new version of the exploration repo
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Made in Hamamatsuの底力 Leslie3500
シンセサイザー鍵盤狂漂流記 その238 ～お化けマシン、コルグ・ノーチラス探求レポート エレピ遍パートⅢ～
Reaching the Halfway Point of My Life! Spending the Days Taking Care of My Body
My Shock After My First Experience With WAYMO
Vagabond Synth Nerd’s Journal Vol. 237 - The Meeting of Monster Machine and Korg’s Nautilus: Electronic Piano Edition Part II
How I Got Into the Blues From My J-Rock Roots
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