SSL (Solid State Logic) / SiX Analog Mixer

SiX is built on the classic SSL design and offers the same powerful, intuitive, inspiring and satisfying sound as all SSL consoles, thanks to 40 years of DNA.

■Analog Mixer
■6-Channel
■D-Sub Tascam Layout, Inch Screws
■Redefining the Legendary SSL Console in a Compact Size
The SiX™ packs the functionality and sound of the SSL large-format console into a portable size. It's a professional desktop console for studio, post-production, on-stage, and podcasting.

SiX™ features two recording channels with SuperAnalogue mic preamps, a one-knob compressor that inherits SSL's classic channel compressor, a new two-band EQ, an insert point, and faders with a 100mm travel. The main mix bus features a two-knob version of the legendary G Series bus compressor, and the talkback feature is an SSL listen mic compressor. It offers 12-channel summing for the detail, depth, and spaciousness of analog sound.

■The SuperAnalogue Sound
The SiX™ is a console with a SuperAnalogue design. The renowned sound of SSL® large-format consoles is packed into a compact body. Suitable for desktop use or portable use. The entire signal path (except for headphones) is balanced, delivering a detailed and wide dynamic range, ultra-low noise, ultra-low distortion, and a clear sonic image.

■Two Recording Channels
Two mono recording channels are provided. The fast-responding and transparent SuperAnalogue mic preamps offer a gain range of -66dB, far wider than that of a typical desktop mixer. Features include +48V phantom power, a 75Hz HPF, and a separate line-level input with switchable high-impedance instrument level.

The channel strip features a new compressor. The newly designed one-knob compressor circuit, inheriting the sound of SSL's classic channel compressor, offers fixed attack and release times, ratios, and automatic gain makeup. Adjusting the threshold adjusts the amount of compression and adjusts the gain to match the input level. Get the best sound just by sitting in the sweet spot and turning the knobs.

The two mono channels feature a new 2-band SSL EQ, which allows you to switch between shelving and bell curves with different center frequencies. This truly usable channel EQ provides the most musical curve and frequency control for a variety of sources.

The built-in 100mm-stroke faders cover the most commonly used gain ranges in studio and live production, providing easier and more complete control than 60mm faders or rotary pots.

A balanced insert point is provided after the EQ and compressor. The send is always active, so it can also be used as a ""dry"" record send to a DAW. The ""ALTernate"" input switch allows you to use the second input on the rear panel for mixdown.

■Line Inputs
Two stereo line inputs are provided for connecting outputs from synthesizers, drum machines, or sound cards. They feature -10/+20dB trim and balance controls. If only the left input is connected, the signal automatically switches to mono and is panned to the center.

The ""SiX"" name comes from the two mono and two stereo channels, but it also features two external inputs that can be sent to the mix bus. Adding the alternate input allows for up to 12 input channels to be summed to the main mix bus.

■Master Bus
The main output is equipped with a G Series bus compressor. It follows the circuit design of the bus compressor traditionally found in SSL consoles, but with fixed ratios, attack times, and release times and simplified controls, SSL sound can be easily added to the master bus at any time. An insert point is provided on the main mix bus, allowing for the use of external devices.

■Routing
Professional routing and monitoring functions inherited from larger consoles are included. Two foldback buses are provided for artist mixes. The master section features a source matrix, mono check, and two monitor outputs (main and alternate). All fader channels are equipped with PFL. Channel muted signals are routed to Bus B. There is also a talkback microphone input with phantom power and a listen microphone compressor. It can also be used as a tool to achieve the classic 1980s drum sound.