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シンセサイザー鍵盤狂漂流記 その241 ～お化けマシン、コルグ・ノーチラス探求レポート エレピ遍 パートⅥ～
■ ノーチラスEP-1にかけるシミュレート エフェクターの検証 コルグのワークステイション・シンセサイザー「ノーチラス」の探求リポート、エレピ遍のパートⅥです。 前回 はノーチラスEP-1のローズピアノに付帯しているエフェクト機
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シンセサイザー鍵盤狂漂流記 その240 ～お化けマシン、コルグ・ノーチラス探求レポート エレピ遍 パートⅤ～
■ ノーチラスEP-1にかけるシミュレート エフェクターの検証 コルグのワークステイション・シンセサイザー「ノーチラス」の探求リポート、エレピ遍（内蔵エフェクト）のパートⅤです。 前回 はノーチラスEP-1のローズピアノに付帯し
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The Latent Potential in the Leslie3500 by Made in Hamamatsu
Hello! I’m Mieno, the bassist from the Hammond organ instrumental band Banana Needle. Today’s topic isn&
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シンセサイザー鍵盤狂漂流記 その239 ～お化けマシン、コルグ・ノーチラス探求レポート エレピ遍 パートⅣ～
■ ノーチラス バーチャル音源、EP-1のエフェクト系検証 コルグのワークステイション・シンセサイザー「ノーチラス」の探求リポート、エレピ遍のパートⅣです。 前回 はノーチラスのエレクトリックピアノ音源であるEP-1ウーリッツァ
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Vagabond Synth Nerd’s Journal Vol. 238 - The Meeting of Monster Machine and Korg’s Nautilus: Electronic Piano Edition Part III
■ NAUTILUS Virtual Sound Source: Examining the EP-1’s Wurlitzer Reed-Type Sounds This is Part III of our deep d
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Vagabond Synth Nerd’s Journal Vol. 237 - The Meeting of Monster Machine and Korg’s Nautilus: Electronic Piano Edition Part II
■ Evaluating the Five Virtual Sound Sources of the EP-1 Engine in the Korg Nautilus This is Part II of my deep-dive r
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How I Got Into the Blues From My J-Rock Roots
For guitar players, the blues is arguably one of the most important genres to discover. Over the years, I’ve gone
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Vagabond Synth Nerd’s Journal Vol. 236 - The Meeting of Monster Machine and Korg’s Nautilus: Electronic Piano Edition
Korg Nautilus: How Does the Virtual Electric Piano Sound? This report dives into the electric piano sounds in Korg&rs
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Brand-New Pristine American Made Fenders You Can Buy for Under 40,000 Yen! [First Half]
When it came to imported electric guitars, it was all about Gibson or Fender until the 1970s. These guitars were far out
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Vagabond Synth Nerd’s Journal Vol. 235 - The Meeting of Monster Machine and Korg’s Nautilus: Extra Ports Edition
■ Before Testing the NAUTILUS EP-1 Electric Piano Simulated Sound Engine This time, I planned to cover the electric p
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See the Effect of the Buffer for Yourself!
The Role of the Buffer When the signal from an electric guitar travels through an effects board and reaches the ampli
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Vagabond Synth Nerd’s Journal Vol. 234 - The Meeting of Monster Machine and Korg’s Nautilus: Setting the Split Point on the CX-3 Virtual Organ Sound Source
■ Korg Nautilus CX-3 Sound Source Split Point Setting This time, I was planning a new version of the exploration repo
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Touring Instrument Stores All Over the US With Only $10
Have you read a printed book lately? The number of people who do not read actual books on a regular basis has increas
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Vagabond Synth Nerd’s Journal Vol. 233 - Sounds that Created an Era, New Sounds, and My Thoughts on Synthesizers
■ Thoughts on the Annual NAMM SHOW Report Here is one annual event that I always look forward to right after the new
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Easy and Fun! Create Your Own KONTAKT Library!
Introduction Native Instruments’ software sampler KONTAKT is often regarded as an essential tool for composers.
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シンセサイザー鍵盤狂漂流記 その241 ～お化けマシン、コルグ・ノーチラス探求レポート エレピ遍 パートⅥ～
シンセサイザー鍵盤狂漂流記 その240 ～お化けマシン、コルグ・ノーチラス探求レポート エレピ遍 パートⅤ～
The Latent Potential in the Leslie3500 by Made in Hamamatsu
シンセサイザー鍵盤狂漂流記 その239 ～お化けマシン、コルグ・ノーチラス探求レポート エレピ遍 パートⅣ～
Reaching the Halfway Point of My Life! Spending the Days Taking Care of My Body
Vagabond Synth Nerd’s Journal Vol. 238 - The Meeting of Monster Machine and Korg’s Nautilus: Electronic Piano Edition Part III
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