- Software
- AUDIO INTERFACE
- USB audio interfaces
- RME/Fireface UFX Ⅲ Audio Interface & Recorder
RME / Fireface UFX Ⅲ Audio Interface & Recorder
Variations
RME / Fireface UFX III is a 94 input / 94 output 192 kHz high-end USB 3.0 audio interface and recorder. Comes with a reliable Sound House 3-year warranty!
Audio Interfaces & Recorders
Multi-Channel Flagship Interface The Fireface UFX III is the centerpiece of the multitrack studio audio interface with 94 channels of inputs and outputs that can be freely controlled. It is also a fully usable standalone AD, DA, DD (AES, SPDIF, ADAT, MADI) converter, a powerful patchbay router/mixer with individual routing for every channel, and a USB recorder.
With unprecedented flexibility and compatibility, RME's low-latency hardware and driver design ensures perfect operation in all situations.
The new RME TMX2000 features 64 channels of MADI inputs and outputs, enhanced and powerful DSP, USB 3.0 with 94 channel input/output class compliance, SteadyClock FS jitter suppression, TotalMix FX DSP digital mixer for flexible mix and patchbay, unique USB recording function DURec, and direct connectivity to the ARC USB (sold separately) USB controller, the DURec provides top-class performance for multitrack recording, mixing, and mastering in the professional field.
The Fireface UFX III features a newly developed analog and digital board, DC-coupled outputs, improved THD+N with the latest AD/DA converters, and new features with updated, state-of-the-art high-tech components. The III is the pinnacle of computer-based audio interfaces.
■Inputs/Outputs
Analog (mic/line) inputs (XLR/TRS combo jacks) x 4
Analog TRS (line) inputs × 8
Analog XLR output × 2
Analog TRS (line) output × 6
Headphone output × 2
AES/EBU input/output × 1
ADAT or SPDIF optical input/output × 2
Word clock input/output or MADI coaxial input/output × 1
MADI optical input/output × 1
MIDI input/output × 2
USB 3.0 terminal (also works with USB 2.0)
MADI optical input/output × 1
USB terminal for ARC USB
USB terminal for DURec
Main Functions
All settings can be changed in real time
Buffer size/latency setting: selectable from 32 to 8192 samples
DC coupling output: CV/Gate control supported
24-bit/96 kHz (8 channels) and 24-bit/192 kHz (4 channels) record/playback via ADAT optical (S/MUX)
64 channels of MADI input/output
Clock modes: slave, master
Automatic advanced master/slave clock switching
Superior Bitclock PLL (audio sync) in ADAT mode
SteadyClock FS: Highly stable, jitter-free digital clock
DDS technology: Sample rate can be freely set
SyncAlign: Maintains accurate sample-by-sample alignment and prevents channel-to-channel swapping
SyncCheck monitors input signal synchronization and displays results
TotalMix FX: Latency-free submixing and full ASIO direct monitoring
TotalMix FX: 288-channel mixer with 46-bit internal processing
TotalMix FX: 3-band EQ, low cut, reverb, echo, compressor, expander, and auto level
DURec: Direct USB recording function for recording and playback of all inputs and outputs to USB memory
Direct connection of ARC USB (TotalMix remote controller sold separately)
Class-compliant mode for use with iOS devices
Complete stand-alone operation
Two MIDI inputs/outputs (32 channels, High-Speed Rosetta MIDI)
Two MIDI over MADI inputs/outputs
Two high-power, low-impedance headphone outputs
DIGICheck DSP: Hardware-based level meters, Peak/RMS measurements
Stunningly low noise and clear analog I/O The Fireface UFX III's state-of-the-art AD/DA converters further improve signal-to-noise ratio and distortion rate, and its innovative digital filters provide extremely low latency.
Four high-performance XLR/TRS combo inputs for microphone, instrument, and line signals and two stereo headphone jacks with +19 dBu output level are available on the front panel, and eight line-level balanced analog outputs (including an XLR stereo monitor output) are available on the rear panel.
RME audio equipment is designed to record audio in its entirety, adding nothing and subtracting nothing, so as not to detract from the sound originally intended. Therefore, the lowest possible noise design allows for high resolution recording and playback; all values written in technical specifications, such as S/N ratio and THD, are not part specifications, but are all measured values.
The RME's high-end preamplifier, which is highly regarded in fields ranging from studio recording to classical concerts, where advanced performance and transparency are required, delivers dramatically low noise, signal-to-noise ratio, and linear frequency response. It is a top-of-the-line solution that amplifies and transmits sound without any coloration, whether it is professional-level signals, consumer-level or high-impedance instruments, dynamic or condenser microphones, or ribbon microphones. Each channel's preamplifier can be individually set to gain up to +75dB in 1dB steps.
Versatile Digital Inputs and Outputs Two ADAT optical inputs and outputs, AES/EBU input and output, MADI optical input and output, and switchable BNC terminals for word clock and MADI coaxial input and output. It can be connected to various devices such as mic preamps, AD/DA converters, and PAs to build workstations, as well as act as a stand-alone multipurpose AD/DA converter, digital format converter, and matrix router. In addition to the AES inputs and outputs, two ADAT inputs and outputs can each be used as optical SPDIF inputs and outputs.
The MADI inputs and outputs can also be set to split mode, allowing two optical/coaxial MADI inputs and outputs to be connected simultaneously, each with 32 channels.
Trillionth-of-a-Trillion Second Precision Clock Clock frequency is an important factor in digital audio because of the correlation required between audio bits and the time axis to which they are referenced. However, clock frequency is not always stable. The Fireface UFX III incorporates SteadyClock FS circuitry to suppress jitter values to femtosecond (thousand trillionth of a second) accuracy. Thus, it provides high-quality analog conversion in all clock modes. Digital conversions on RME products are performed without any data loss or degradation of sound quality, and SteadyClock FS ensures that the sound image is not degraded. The deeper depth and clearer sound image ensures that recording and mixing is done correctly and precisely.
Operating Environment
When connected to a computer
Windows 7 or higher, Intel Mac OS X (10.10 or higher)
1 x USB 3.0 port
USB 2.0 port x 1 (MADI recording/playback is not possible with USB 2.0. The number of available audio channels will be reduced.)
For USB: Computer with Intel Core i5 or higher CPU
When connecting to an iOS device
Fireface UFX III running in CC mode
Apple iPad with iOS 6 or higher
iPhone with iOS 7 or later
Apple iPad Camera Connection Kit (Doc or Lightning to USB type)
iPad Pro: No conversion adapter required, USB 2.0 or USB 3.0 USB-B to USB-C conversion cable only
Included in the box
Power cable/grounding adapter
USB 2.0 cable
USB 3.0 cable
USB Type-C cable
Optical cable (TOSLINK)
Rubber feet
Fireface UFX III Japanese User Guide
DIGICheck Japanese User Guide
Warranty Card
Multi-Channel Flagship Interface The Fireface UFX III is the centerpiece of the multitrack studio audio interface with 94 channels of inputs and outputs that can be freely controlled. It is also a fully usable standalone AD, DA, DD (AES, SPDIF, ADAT, MADI) converter, a powerful patchbay router/mixer with individual routing for every channel, and a USB recorder.
With unprecedented flexibility and compatibility, RME's low-latency hardware and driver design ensures perfect operation in all situations.
The new RME TMX2000 features 64 channels of MADI inputs and outputs, enhanced and powerful DSP, USB 3.0 with 94 channel input/output class compliance, SteadyClock FS jitter suppression, TotalMix FX DSP digital mixer for flexible mix and patchbay, unique USB recording function DURec, and direct connectivity to the ARC USB (sold separately) USB controller, the DURec provides top-class performance for multitrack recording, mixing, and mastering in the professional field.
The Fireface UFX III features a newly developed analog and digital board, DC-coupled outputs, improved THD+N with the latest AD/DA converters, and new features with updated, state-of-the-art high-tech components. The III is the pinnacle of computer-based audio interfaces.
■Inputs/Outputs
Analog (mic/line) inputs (XLR/TRS combo jacks) x 4
Analog TRS (line) inputs × 8
Analog XLR output × 2
Analog TRS (line) output × 6
Headphone output × 2
AES/EBU input/output × 1
ADAT or SPDIF optical input/output × 2
Word clock input/output or MADI coaxial input/output × 1
MADI optical input/output × 1
MIDI input/output × 2
USB 3.0 terminal (also works with USB 2.0)
MADI optical input/output × 1
USB terminal for ARC USB
USB terminal for DURec
Main Functions
All settings can be changed in real time
Buffer size/latency setting: selectable from 32 to 8192 samples
DC coupling output: CV/Gate control supported
24-bit/96 kHz (8 channels) and 24-bit/192 kHz (4 channels) record/playback via ADAT optical (S/MUX)
64 channels of MADI input/output
Clock modes: slave, master
Automatic advanced master/slave clock switching
Superior Bitclock PLL (audio sync) in ADAT mode
SteadyClock FS: Highly stable, jitter-free digital clock
DDS technology: Sample rate can be freely set
SyncAlign: Maintains accurate sample-by-sample alignment and prevents channel-to-channel swapping
SyncCheck monitors input signal synchronization and displays results
TotalMix FX: Latency-free submixing and full ASIO direct monitoring
TotalMix FX: 288-channel mixer with 46-bit internal processing
TotalMix FX: 3-band EQ, low cut, reverb, echo, compressor, expander, and auto level
DURec: Direct USB recording function for recording and playback of all inputs and outputs to USB memory
Direct connection of ARC USB (TotalMix remote controller sold separately)
Class-compliant mode for use with iOS devices
Complete stand-alone operation
Two MIDI inputs/outputs (32 channels, High-Speed Rosetta MIDI)
Two MIDI over MADI inputs/outputs
Two high-power, low-impedance headphone outputs
DIGICheck DSP: Hardware-based level meters, Peak/RMS measurements
Stunningly low noise and clear analog I/O The Fireface UFX III's state-of-the-art AD/DA converters further improve signal-to-noise ratio and distortion rate, and its innovative digital filters provide extremely low latency.
Four high-performance XLR/TRS combo inputs for microphone, instrument, and line signals and two stereo headphone jacks with +19 dBu output level are available on the front panel, and eight line-level balanced analog outputs (including an XLR stereo monitor output) are available on the rear panel.
RME audio equipment is designed to record audio in its entirety, adding nothing and subtracting nothing, so as not to detract from the sound originally intended. Therefore, the lowest possible noise design allows for high resolution recording and playback; all values written in technical specifications, such as S/N ratio and THD, are not part specifications, but are all measured values.
The RME's high-end preamplifier, which is highly regarded in fields ranging from studio recording to classical concerts, where advanced performance and transparency are required, delivers dramatically low noise, signal-to-noise ratio, and linear frequency response. It is a top-of-the-line solution that amplifies and transmits sound without any coloration, whether it is professional-level signals, consumer-level or high-impedance instruments, dynamic or condenser microphones, or ribbon microphones. Each channel's preamplifier can be individually set to gain up to +75dB in 1dB steps.
Versatile Digital Inputs and Outputs Two ADAT optical inputs and outputs, AES/EBU input and output, MADI optical input and output, and switchable BNC terminals for word clock and MADI coaxial input and output. It can be connected to various devices such as mic preamps, AD/DA converters, and PAs to build workstations, as well as act as a stand-alone multipurpose AD/DA converter, digital format converter, and matrix router. In addition to the AES inputs and outputs, two ADAT inputs and outputs can each be used as optical SPDIF inputs and outputs.
The MADI inputs and outputs can also be set to split mode, allowing two optical/coaxial MADI inputs and outputs to be connected simultaneously, each with 32 channels.
Trillionth-of-a-Trillion Second Precision Clock Clock frequency is an important factor in digital audio because of the correlation required between audio bits and the time axis to which they are referenced. However, clock frequency is not always stable. The Fireface UFX III incorporates SteadyClock FS circuitry to suppress jitter values to femtosecond (thousand trillionth of a second) accuracy. Thus, it provides high-quality analog conversion in all clock modes. Digital conversions on RME products are performed without any data loss or degradation of sound quality, and SteadyClock FS ensures that the sound image is not degraded. The deeper depth and clearer sound image ensures that recording and mixing is done correctly and precisely.
Operating Environment
When connected to a computer
Windows 7 or higher, Intel Mac OS X (10.10 or higher)
1 x USB 3.0 port
USB 2.0 port x 1 (MADI recording/playback is not possible with USB 2.0. The number of available audio channels will be reduced.)
For USB: Computer with Intel Core i5 or higher CPU
When connecting to an iOS device
Fireface UFX III running in CC mode
Apple iPad with iOS 6 or higher
iPhone with iOS 7 or later
Apple iPad Camera Connection Kit (Doc or Lightning to USB type)
iPad Pro: No conversion adapter required, USB 2.0 or USB 3.0 USB-B to USB-C conversion cable only
Included in the box
Power cable/grounding adapter
USB 2.0 cable
USB 3.0 cable
USB Type-C cable
Optical cable (TOSLINK)
Rubber feet
Fireface UFX III Japanese User Guide
DIGICheck Japanese User Guide
Warranty Card
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RME
Fireface UFX Ⅲ Audio Interface & Recorder
Item ID:326792
517,000 yen(incl. tax)
25,850Pt(5%)Detail
- 5,170Pts
通常ポイント
- 20,680Pts
ポイント5倍キャンペーン
- 25,850Pts
Total
- In Stock
- In Stock, can be shipped when order is confirmed.
- Low Stock
- Low Stock, may be sold out soon.
- Scheduled date
- Expected to arrive at Sound House on this date.
- TBA
- Expected date of arrival at Sound House to be determined.
- Back Order
- It needs to be orderd from the manufacturer. Please inquire about the estimated date of arrival.
- Mfr. Delivery
- Must be ordered from manufacturer. Please inquire about the estimated date of arrival.
- Download
- Only the serial number will be sent to your registered email address.
- Special Order
- Made to order item or must be ordered from manufacturer. May take several weeks or months.
- No Longer Available
- Product is no longer available due to having been discoutined or other reasons.
Rating
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