STRYMON / TIMELINE

It offers 12 built-in delay types, each with a fantastic tone and feel. From crisp and clear studio-quality digital delays, to saturated and unstable tape echoes, to wormy and pleasantly distorted analog delays, to crystal-clear ice delays that let you create shimmering sounds, it covers a wide range of sounds that will inspire your imagination.

■Guitar Effects Pedal
■Digital Delay
■MIDI IN/OUT Support

■Expression Pedal Connection
■Controls: TYPE, VALUE, TIME, REPEATS, MIX, FILTER, GRIT, SPEED, DEPTH
■Dimensions and Weight: 17.2W x 13.0H x 33Dcm
■TIMELINE is packed with 12 studio-class delay machines. Each machine (algorithm) offers professional-grade configurability down to every parameter.
1. dTAPE Echo Simulation: Strymon's proprietary algorithm, also used in El Capstan, perfectly recreates tape echo. This is available only on single-head machines.
2. dBUCKET DELAY Machine: Accurately reproduces the full characteristics of an analog BBD chip, allowing you to achieve anything from the limited sound of an analog delay pedal to a premium studio-level BBD sound. A perfect reproduction of a BBD chip recreates the sound of performance degradation, while the unique Bucket Loss, Filter, and Mod controls allow for free sound creation.

3. DIGITAL DELAY: An algorithm that produces crystal-clear digital delay sounds.

4. DUAL DELAY machine: Two independent delay lines. Can be connected in series or parallel (LR split). The second delay has independent Mix, Repeat, and Time controls and tracks the settings of the first delay.

5. PATTERN DELAY machine: The pattern machine allows you to freely create multi-tap patterns, from simple ping-pong patterns to complex rhythms and ambient effects. The Filter, Grit, and Mod controls add a wide range of variability to the delay sound, delivering a variety of delay experiences.

6. REVERSE DELAY machine: Plays the phrase you played backwards. It can be set to be triggered when you resume playing. The Smear function softens the sound without reducing the frequency range.
7. ICE DELAY machine: The input signal is divided into small segments and shifted at a set interval. The interval can be set to an octave below, an octave above, or an additional fifth above, or any shift in between. The ICE amount can be blended from zero to 100%. The slice size opens up further possibilities and varies the amount of shift.
8. DUCK DELAY machine: Duck delay (dynamic delay): Ducking has adjustable sensitivity and release time. A feedback duck option is also available, allowing for a wide variety of dynamic delay settings.
9. Swell Delay: This algorithm reproduces the delay sound with an attack similar to that of a volume pedal.
10. Trem Delay machine: Synchronized delay with delay and tremolo (oscillator waveform selectable). The Depth and Speed ??controls allow you to select from five oscillator types: triangle, square, sin, ramp, and saw, and the delay amplitude can also be adjusted.
11. FILTER DELAY machine: A filter can also be inserted before or after the delay. Control parameters include Waveshape, Depth, Speed, Resonance, and Filter Location, all of which can be set freely. The filter waveform can be selected from triangle, square, sin, ramp, saw, random, up, and down, and the delay amplitude can also be adjusted.
12. LO-FI DELAY machine: A Lo-Fi delay can also be used to lower the sound quality of the delay.