Chase Bliss Audio / CXM 1978

A digital reverb featuring a motor fader. Equipped with 3 types of high-quality reverb by 32-bit AD / DA converter. Control using an EXP pedal or MIDI is possible.

■ Effector for guitar
■ Digital reverb

・ REVERB TIME (BASS, MIDS), CROSS, TREBLE
The CXM 1978 is not a general simple decay control, but sets the reverb time for each band.
Unique design to crossfade. For example, by suppressing the middle reverb time and expanding the decay only in the low range, you can tune to a pad reverb-like sound that always follows the play. Decay adjustment with EQ-focused shaping allows for more reverberation control than the conventional reverb pedal.

・ TYPE
ROOM: A lively, direct character that transforms static sounds into natural sounds. Great for combination with amp simulators and virtual instruments.
PLATE: Characterized by a fast-rising, dense reverberation component. The flexible character is familiar and ideal for blending with acoustic reverb, percussion and vocals.
HALL: A vast space where reflections overlap and accumulate. Ideal for ambient sounds that approach like a wall, you can also enjoy the terrifying low frequencies that echo in the cave and the upper mid that penetrates the sky.
・ CLOCK
A unique parameter that sets the resolution of the reverb. The pre-delay setting range also changes.
HIFI: Low noise, clean and modern newest reverb sound.
STANDARD: 1978 Signature Sound. A retro-futuristic world view characterized by comfortable "defects" and "blurring".
LOFI: Rough grain sparks, excessive filtering, poor sound quality, liquid-like bleeding. Unique setting to enjoy various textures. You can also enjoy sounds like "BBD analog delay".

・ DIFFUSION
A multi-faceted parameter that unlocks the bleeding of reverberation attacks and hidden sounds.
LOW: No bleeding, clear, uncolored sound.
MED: Mild attack. A short decay gives a percussive sound, and a long decay disperses energy for a soft character.
HIGH: The ultimate soft attack with regenerated pre-delay. It can also be tuned to a comb filter like a flanger or an echo sound close to a delay.

・ TANK MOD
Simulates modulation in a reverb tank.
LOW: A comfortable atmosphere with slight reverberation.
MED: Slow rate, medium depth and chorus-like sway.
HIGH: Overtone reminiscent of a rotary speaker with a fast rate and shallow depth.