ATOMOS / ATOMNJVPL1

5-inch HDR monitor recorder with 8K RAW recording. Recording and shooting is possible at up to 8Kp30 and 4Kp120 in Apple ProRes RAW.

■5-inch HDR monitor recorder with 8K RAW recording

[Housing structure]
■Housing material: Aluminum alloy & ABS plastic
■Cooling mechanism: Equipped
■Tally lamp: Equipped on the back (lights up during recording)
■AtomX expansion slot: Equipped

[Power supply]
■Input voltage (battery): 6.2V-16.8V
■Operating power: 5.8V-7.2V
■Compatible battery: ATOMOS NPF L series
■Battery operating time: 　　　　　　
5200mAh approx. 2 hours (4Kp60 screen display and recording)
7800mAh approx. 3 hours (4Kp60 screen display and recording)
■DC input: 3 Included battery eliminator / Uses AC adapter

[Display]
■Touch screen: Super ATOM-IPS LCD panel (capacitive type)
■Screen size: 5.2 inches
■Screen resolution/PPI: 1920 x 1080/427
■Aspect ratio (video display): 16:9
■Supported color gamut: Rec709
■Maximum color depth: 10-bit (8+2 FRC)
■Backlight: Edge-light type

[HDR technology]
■AtomHDR technology: Log→Native/Rec709/3D LUT/HLG/PQ
■3D LUT support: Display/Preview/Loop out
■HDR monitoring technology: HLG and PQ
■HDR output conversion: Log/HDR to HLG/PQ/ Dolby Vision
■HDR monitoring (Gamma):
Sony SLog/SLog2/SLog3, Canon CLog/CLog2 /Clog3t
Arri Log CEI160/LogCEI200/LogCEI250/LogCEI320/LogCEI400/LogCEI500/LogCEI640 /LogCEI800 /LogCEI1000/LogCEI1280 /LogCEI1600, JVC JLog1
Panasonic Vlog, Red LogFilm/Log3G10/Log3G12
FujiFilm Flog, PQ (HDR10), HLG, Nikon N-Log
HDR monitoring (Gamut)
BT2020, DCI P3, PDCI p3 65
Sony SGamut/SGamut3/SGamut3.cine
Canon Cinema/DCI P3/DCI P3+ /BT2020
Panasonic V Gamut, Arri Alexa Wide Gamut, Rec709, JVC
LS300, Red DragonColor/DragonColor2/RedColor2/RedColor3 /RedColor4 /RedWideGamut

[Video input]
■HDMI: HDMI(2.0)×1 4Kp60
■HDMI RAW: Supported
■SDI: 12G-SDI×2 (backward compatible)
Use with optional AtomX SDI module
■SDI RAW:
Supported: Firmware 10.71 and later compatible with Sony FS700, FS5, FS7
*SDI RAW paid activation required
■Signal (depends on camera):
Uncompressed 10bit or 8bit422
■LTC (recording mode only):
Use with optional AtomX Sync module Wireless RF connection

[Video output]
■HDMI: HDMI(2.0)×1 4Kp60
■SDI: 12G-SDI×2 (backward compatible), using optional AtomX SDI module
Level A or Level B can be selected
■Signal:
Uncompressed 10bit or 8bit422 (depends on playback file)
■Video signal conversion:
HDMI→ SDI/SDI→HDMI
Supports video and RAW* inputs to video output
*Cross conversion from RAW requires paid SDI RAW activation

[Audio input/output (48kHz PCM Audio)]
■Audio quality/format: 24/48Khz/PCM
■HDMI: 8ch 24bit Depends on input device
■SDI: 12ch 24bit Depends on input device
■Analog audio input: 3.5mm 2ch
■Headphone output: 3.5mm 2ch

[Supported codec resolution and frame rate (recording/playback)]
■Supported resolution/frame rate: 2
24/48Khz8K RAW: Only up to 30p via HDMI
6K RAW: Only up to 30p via HDMI and SDI
(Camera dependent HDMI 5.9K and SDI 5.7K supported)
4K DCI: 23.98/24/25/29.97/30/50/59.94/60p
4K UHD: 23.98/24/25/29.97/30/50/59.94/60p-HFR 100/120
2K DCI: 23.98/24/25/29.97/30/50/59.94/60p/SONY FX9 RAW up to 2K 180p
1080p: 23.98/24/25/29.9/30/50/59.94/60/100/120p
1080i: 50/59.94/60i
720p: 50/59.94/60p
PsF Convert to PsF-P, Loop out PsF / PCM
■Anamorphic: 3.5K:RAW up to 60p (only for supported cameras)
■Apple ProRes Raw: Supports ProRes Raw HQ and ProRes Raw
■Supports Apple ProRes/ProRes LT, 422, HQ
■Avid DNx:
AVID DNxHR HQX. HQ, SQ, LB
*Requires codec activation for the free version
■H.265: Supported *However, only HQ mode recording

[Playback]
■Playlist/Genlock/LTC:
Playlist: Supported/Genlock: Not supported/LTC: Not supported
■Loop:
Supported (with in/out markers)
■Apple ProRes Raw: Supported
■Apple ProRes: Supported Audio supports linear PCM
■Avid DNx:
Supported audio supports linear PCM
*Requires codec activation for the free version
■H.265: Supported

[Recording functions and recording media]
■Pre-roll recording:
Supported (HD 8 seconds, 4K 2 seconds) Not available in RAW
■Time lapse: Supported
■Media format: Master Caddy II/SSDmini
■File name:
Automatically numbered and named for each scene, shot, and take/File name via SDI for Arri and RED
■Supported video editing software:
Files are saved with the extension .MOV and are supported by all non-linear editing applications that support Apple ProRes, ProRes RAW, and Avid DNxHDR/HD

[On-screen tools]
■Scope: Luminance waveform/RGB parade/vectorscope
■Magnification: Zoom 1:1 / Zoom x2
■Focus peaking:
Selection color/Threshold setting/Color/Monochrome/Edge only
■Force color: Variable scale
■Zebra: Adjustable
■Separation color channel: Blue only
■Marker cut for tag editing: Possible in playback mode
■Cine frame guide:
2.4:1 / 2.35:1 / 1.9:1 / 1.85:1 / 4:3
■Social frame guide: 9:16/1:1/1.91:1/4:5
■Safety area: Action and Graphic
■Grid markers: 9 grid
■Anamorphic desqueezing:
1.25x/1.33x/1.5x/1.8x/2x
■Display inversion: Upside down only
■3DLUT 50/50: Preview on screen

【Timecode】
■HDMI: Supported
■SDI: Supported
■Time: Supported
■Wireless RF:
Supported when used with AtomX Sync module (sold separately)
■Bluetooth LE:
Supported when used with AtomX Sync module (sold separately)

【On-board processing】
■Pulldown removal:
24/25/30pSF>24/25/30p(2:2 pulldown)
60i>24p(3:2 pulldown)
■4K UHD→HD downscaling:
Possible (loop out and playback)
■DCI crop:
Possible (loop out and playback)

[Weight]
■Housing material: Aluminum alloy & ABS plastic
■Mounting screw holes:
Anti-rotation 3/8-16 screw holes
1/4-20 screw mount adapter equipped, one on each side
■SIZE: W151×H:91.5×D:31 (mm)
■Weight unit only: 360g