■Audio Interface
■Thunderbolt 2/USB 3.0
*Edge Duo not included.
Evolution of a powerhouse
With the latest, most advanced AD/DA converters, this 64-channel Thunderbolt/USB beast interface (with HDX option, individually unlocked) delivers an astounding 136dB dynamic range with mastering-grade monitor outputs. Designed to handle the most demanding studio and live productions, Goliath HD | Gen 3 offers the most comprehensive connectivity of any interface on the market.
Simply unmatched
Versatile I/O includes 16 accusonic modeling mic preamps, two analog inserts, eight instrument inputs, 16 analog inputs (DB25) with 124dB dynamic range, 32 analog outputs (DB25) with 129dB dynamic range, two transformer ReAmp outputs, and two headphone outputs (38 analog outputs total). Digital and network connectivity is established via industry-standard AES, MADI, ADAT, S/PDIF, Thunderbolt/USB, and HDX connections, delivering a total of 346 digital I/O channels.
It's all down to dynamics
The Goliath HD | Gen 3's greatest selling point is that its converters deliver a dynamic range of 136dB (measured at the monitor outputs), approaching the theoretical limit of 24-bit audio.
Thunderbolt 2 & USB 3.0 Flexibility
With USB, Thunderbolt, and optional HDX connectivity, the Goliath HD | Gen 3 is compatible with all DAWs on Windows and Mac computers. Easily integrate the interface into a DAW-based setup and work on projects across multiple DAWs. With 64 independent channels of I/O streams via Thunderbolt 2, USB 3.0, and two HDX ports, you're limitless.
* The Goliath HD | Gen 3 allows simultaneous HDX and Thunderbolt or USB connections, allowing audio signals to be exchanged between HDX and Thunderbolt or USB connections.
2 HDX Ports
Goliath HD | Gen 3 expands Pro Tools HDX/HD functionality with dual HDX ports, up to 64 audio channels, proprietary HDX delay compensation, manual latency adjustment, and loop sync.
69 Real-Time Studio FX Included
Add polish and shine to your recordings, mixes, and masters with Antelope Audio's suite of real-time studio effects. A wide range of classic studio equalizers and compressors, proprietary signal processors, and other production essentials are at your disposal.
Eliminate Latency
For Windows users, Antelope Audio offers an incredibly fast and stable custom Thunderbolt driver, achieving true sub-millisecond round-trip latency. Goliath HD | Gen 3's HDX delay compensation method delivers full sample-accuracy to analog or digital inputs in Pro Tools. Enjoy zero-latency direct monitoring with four independent internal mixers.
Acoustically focused clocking
Antelope Audio, pioneers of atomic clocking in pro audio, incorporates over 20 years of clocking expertise into its audio interfaces. Featuring crystal oscillators and a proprietary 64-bit AFC jitter management algorithm, Goliath HD | Gen 3 delivers the artifact-free audio once accessible only to the highest-level studios.
Eliminates signal jitter for artifact-free digital audio.
Increases width, separation, and detail in musical performances.
Built to last
Goliath HD | Gen 3 retains the convenient monitor and level indicators while improving its luxurious front panel. The full-color touchscreen remains the highlight, providing instant access to metering, preferences, gain adjustments, and mission-critical functions. Each unit is handcrafted in Europe with the latest technological innovations and quality standards in mind.
■Specifications
ANALOG
Analog Inputs
16 × Mic/Line Universal inputs on XLR Combos (among which 4 × Hi-Z)
Gain 0.10-65dB. 124dB DNR, -112dB THD
2 × D-SUB (16 channels +20dBu max, 11.2 kOhms, 124dB DNR)
Analog Outputs
4 × D-SUB (32 channels, +24dBu, 56 Ohms, 129dB DNR, -115dB THD)
1 × Monitor Out pair TRS ? Jacks (136dB DNR)
2 × Stereo Headphone outs on TRS ? Jacks
2 × Reamp outs on TRS ? Jacks
D/A Monitor Converter
Dynamic Range: 136dB
THD+N : -115 dB
Quad D/A Mono Structure
A/D converter
Dynamic Range: 124dB
THD+N: -112dB
D/A converter
Dynamic Range: 129dB
THD+N: -117dB
ANALOG INSERTS
2 × A/D Inserts on TRS ? Jacks
(dedicated to rear universal inputs 1 and 2)
DIGITAL
Digital Inputs
2 × Fiber Optic MADI (up to 64 channels each)
2 × ADAT (up to 8 channels each)
1 × S/PDIF on RCA (2 channels)
4 × AES/EBU on D-SUB 25 (8 channels)
Digital Outputs
2 × Fiber Optic MADI (up to 64 channels each)
2 × ADAT (up to 8 channels each)
1 × S/PDIF on RCA (2 channels)
4 × AES/EBU on D-SUB 25 (8 channels)
USB I/O
USB 3.0 Type B connector
(64 channels up to 192kHz)
Thunderbolt?
1 × Thunderbolt (64 × 64 channels I/O)
HDX /OPTIONAL ACTIVATION/
2 × Mini HDX connectors
(32 channels I/O each)
CLOCKING
Atomic clock
1 × 10M Input @ 75 Ohms 1Vpp on BNC
Word Clock Input
1 × Input @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)
Word Clock Outputs
2 × Outputs @ 75 Ohms 3Vpp on BNC 32-192kHz (can be used for HDX Loop Sync)
Clocking System
4th Generation Acoustically Focused Clocking
64-bit DDS
Oven-controlled crystal oscillator
Sample Rates (kHz)
32, 44.1, 48, 88.2, 96, 176.4, 192
OTHER
Operating Temperature
0-50°C/32-122°F
Weight (Approx.)
6.8 kg/15 lbs
Dimensions (Approx.)
Width: 48.3mm
Height: 81 mm
Depth: 279 mm
Power Consumption
40 Watts Max
For the latest operating environment information, please see
https://support.antelopeaudio.com/support/solutions/articles/42000061223-goliath-hd-iii-download-section
For reported performance issues with Apple Mac 2020 models and compatibility with Macs and operating systems, please refer to the information on the manufacturer's website below.
Manufacturer's website
■ MACOS compatibility and optimization information
At the bottom of the manufacturer's website page below, under ""Reported performance issues for 2020 Apple Mac models,"" you can find information about noise when using the device with 2020 Apple products.
Please also check the operating environment.
Manufacturer's website
https://jp.antelopeaudio.com/support/macos/
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