This monaural compressor from CHANDLER LIMITED features a circuit design that pursues musical quality.
■Mono Compressor
This is a masterpiece that CHANDLER Limited designer Wade Goake is extremely proud of, having spent over two years developing it.
Its greatest feature is its circuit design, which prioritizes musical texture.
All design decisions were based solely on actual recordings and listening. He completely rejected being bound by measuring equipment, mathematical calculations, or physical verification. He placed the utmost importance on ""how it actually sounds."" For example, Germ Comp does not use notations like XX seconds for attack or release, nor does it have a ratio of ○:●. Everything was determined through listening tests, based on the question, ""How does music resonate musically?""
This is a one-of-a-kind compressor born from an approach that is reminiscent of crafting a high-quality instrument, rather than the traditional pro audio equipment obsessed with numbers.
[Main Features]
■ Versatile harmonic texture control through the combination of germanium drive and feedback
(Coloration, thickness, vintage texture, gain control)
■ Control the differences in texture and compression curves created by different elements such as Zener, silicon, germanium, and resistors
(Vibe, groove, compression curve, sound character) Technical Description
■ Equipped with a MIX/DRY control that blends the compressed sound with the original sound
(Resonance, punch, attack, sound projection)
■ Switch between clean mode and dirty mode (adds second- and third-order harmonics)
(Transparency, thickness, power, vintage texture)
■ RATIO, ATTACK, and RELEASE controls that can all be adjusted by ear to pursue musicality alone
(Dynamics control)
■ SIDE for smooth low-frequency compression control Equipped with CHAIN function
(Compression characteristic)
■ Class A transformer balanced input/output circuit
* Power supply unit PSU1 sold separately.
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