The ELECTRO-HARMONIX / Bass Big Muff is a Big Muff optimized for bass. Based on the Russian Sovtek Big Muff, also known as the ""Army Green"" model, it adds two output jacks: one for effect and one for dry. It allows you to create sounds that take advantage of the powerful distortion effect components with impressive low frequencies and the solid core of the dry sound. It's recommended not only for bassists, but also for guitarists seeking a super-thick sound with boosted low frequencies.
It has clean and distortion modes, and the distortion mode provides natural distortion with the original sound mixed in. It is also recommended as a D.I (direct) box.
The Bass Big Muff Pi 2 is a bass-oriented fuzz pedal that delivers a mid-range grind and endless sustain. In addition to VOL/SUSTAIN/TONE controls, it features a BLEND knob for seamlessly blending dry and fuzz tones, and a BASS BOOST for adding powerful lows. It achieves a sound that balances clarity with a heavy low end, resulting in a powerful and impactful tone.
A drive pedal that combines power and sound projection without crushing the sound of the instrument itself or the picking nuances. With two modes to switch between drive and preamp, it can be used in a wide range of situations.
The ELECTRO-HARMONIX Nano Bass Big Muff Pi delivers the same sound quality as the popular bass distortion pedal, the Bass Big Muff Pi, in a compact package. Based on the Russian Sovtek Big Muff, also known as the ""Army Green,"" the distortion delivers a powerful sound with impressive low frequencies. The built-in dry switch allows you to maintain both the effect and dry sound, delivering a thick, solid core even at high distortion levels.
This is the ultimate high-gain distortion pedal for bass, which is like combining three different distortion pedals from ASHDOWN into one unit. The Dark, Medium, and Light frequency bands and the ROAST knob allow you to individually control the amount of distortion for each band, so you can create your favorite drive sound from a thick low range to a high-gain high range. Setting all the controls to the 12 o'clock position gives you a rich, driven bass sound.