A stereo tube preamplifier that handles all sources, including microphones, guitars, and synthesizers. Adds punch and warmth to the sound. Create freely from natural and clean sounds to overloaded drive sounds. Here is the essence of SUMMIT sound loved by engineers all over the world!
■ Stereo microphone preamplifier
■ Control: Line / Mic switch, pad (0dB / -15dB / -25dB), phase switch, input gain, output gain
■ 48V phantom power switch, overload LED, power ON / OFF
■ Components: 12AX7A vacuum tube, 990 OP amplifier, IC circuit, transistor, compression cell
■ Output + 4dBm: 0 UV, balanced / unbalanced output, output impedance = 75Ω, recommended output load: 600Ω or more, maximum output: + 25dBm
■ Connector input / output: XLR (2nd HOT)
■ Balanced / unbalanced input, input impedance: 20kΩ, microphone input impedance: 1 meg is Ω (unbalanced)
■ Input impedance: Microphone: 1.5kΩ, Hi-Z: 47kΩ
■ Output impedance: 120Ω
■ Maximum input level: Microphone: -16dBu, Line: 22dBu, Hi-Z: 15dBu
■ Maximum output level: 25dBu
■ Maximum gain: 75dB
■ Frequency characteristics: 10Hz-50kHz
■ S / N ratio: 115dB (10Hz-20kHz)
■ THD + N: 0.055%
■ Uses three 12AX7A vacuum tubes
■ Dimensions: 48.3 × 8.9 × 27cm
■ Weight: 8.62 kg
■ The TPA-200B has an impact that makes you say "SUMMIT !! Microphones and other stereo sources that handle all sources, including guitars and synthesizers, are equipped with state-of-the-art semiconductor elements and operate 12AX7A vacuum tubes under ideal conditions. Loosely arranged controls overlap with warm tone characters to give a pleasing impression and ensure operation on all occasions. LINE / MIC switching, -15dB / -25dB switchable PAD, and phase reverse switch flexibly support various settings. Large input gain control and output gain control. With these two controls, you can control clean and overdrive sounds freely. The TPA-200B is an excellent mic pre and promises excellent work as an effector.
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