Since the strings of a stringed instrument are used frequently, they inevitably deteriorate or break. Even if a string is new, it sometimes breaks and needs to be changed.
Now let’s start changing the strings. It seems there is no quick way to change strings. However, don’t rush and go at one step at a time.
Clean up your work space and rest your violin on your lap. The violin is not stable on a flat surface, so use a cushion with a hollow middle and place the violin on it for stability. Once you become used to it, your lap will become a comfortable workbench.
Beware! If you unstring all the strings at once, the bridge will collapse!
Cut out a sticker or some masking tape into triangles and mark one corner at the back end of the bridge foot so you can keep the original position of the bridge.
Place a folded tissue or cloth under the tailpiece so that the tailpiece adjuster parts do not accidentally scratch the body.
*NoteWhen releasing the tension on the strings, the sound post inside the violin body may collapse in rare cases.
If the sound post falls, do not proceed further. Please contact Sound House.
The round metal part on one end of the string is called the ball.
Hook the ball end into the keyhole-shaped slot on the tailpiece or the adjuster’s notch.
The hooked ball end may unhook due to the elasticity of the string during the stringing work. If necessary, use masking tape to lightly fix the string.
The length of the strings is generally designed to suit the size of the instrument.
The best order of stringing is:G (4th) String
E (1st) String
D (3rd) String
A (2nd) String
Beginning of winding
When turning the pegs, keep some tension in the strings and wind them so that they don't become loose. The object is to wind the string from the inside of the peg hole to wrap around the outside of the peg.
(Thick solder wire is used instead of the violin string to make it easier to see in the picture.)
After winding the G (4th) string to some extent, check that the ball end of the string hasn’t popped out of the tailpiece. Also, leave enough tension in the string to keep the bridge standing after winding the E (1st) string.
Wind the E (1st) string in the same fashion. The direction in which the strings are wound go in the opposite direction to the G string on the left and right. Wind the string from the inside to the outside.
Set the bridge once when the two strings, G (4th) string and E (1st) string, are wound to some extent.
Now, remember from the “When you tune a violin, check if the bridge for tilting” part that was explained in the “Tune a Violin” section.
Before completely winding the strings, set the bridge at the marked original position and check the bridge tilt from the side. After this, the same procedure will need to be repeated often after tuning the D (3rd) string and the A (2nd) string.
When you have finished winding all the strings, double-check the ball end to make sure it is hooked properly into the slot. If this is not properly inserted, the ball end may come off when tuning the strings.
While paying attention to the bridge tilting, wind the rest of the strings in the same way, and then just tune the strings.
New strings, especially nylon strings, take time for the pitch to stabilize. It is best to tune the strings often along with checking the bridge tilt.
Tuning a violin might feel like an insurmountable task just by reading the instructions, but you will get used to it the more you do it. Try to be calm when working on it so as not to damage the precious strings or the instrument itself that can happen when trying to attempt changing the strings in a hurry. It might be a bit exaggerated to say “haste makes waste”, but you will actually have an impeccably tuned instrument in less time if you stick to working at a slow, steady pace.