The ELECTRO-HARMONIX / Big Muff Pi Original is a reissue of the Big Muff, famously used by Jimi Hendrix, Santana, and others. It retains all the great qualities of the original while significantly reducing noise. Its rich, heavy sound continues to captivate players even more than 40 years after its release, making it a representative guitar fuzz/distortion pedal.
This model is a reissue of the 1973 Ram's Head Big Muff, which is now traded at a very high price, by the original Electro-Harmonix in a compact nano-sized case. Based on the purple paint period called V2, it features excellent separation and a strong sustain. It has also been modified to suit modern times, such as true bypass and support for 9V external power.
Effects Bakery / Sandwich Fuzz produces a thunderous fuzz sound reminiscent of the Russian fuzz commonly known as Army Green. It has an overwhelming low end and a thick, fat wall of sound.
ELECTRO-HARMONIX / Op-Amp Big Muff Pi is a reissue of Op-Amp Big Muff born in the late 1970s. This model is famous for being used by Billy Corgan of Smashing Pumpkins. An operational amplifier is used for the amplification element instead of the general big muff transistor, and the gain stage adopts 3 stages instead of the conventional 4 stages.
ELECTRO-HARMONIX / Green Russian Big Muffは、1990年代半ばにロシアで製造された通称Green Russian Big Muffを、Nanoシリーズのサイズで再現したディストーション/ファズ。トールフォント期とバブルフォント期をミックスしたアグレッシブなサウンドを実現しています。
A fuzz pedal that allows you to switch between vintage fuzz sounds redefined by BOSS craftsmanship and highly versatile modern tones. Combined with the guitar volume control, you can get even more sound variations.
A pedal that replicates the sound of My Bloody Valentine guitarist Kevin Shields' vintage Fender Blender pedal, with four footswitches to blend fuzz and clean or sub-octave fuzz. Available with.
The Warm Audio Warm Bender is a revolutionary fuzz pedal with a circuit that reproduces two of Tone Bender's signature fuzz tones in a single stomp box. You can choose between the NOS 76 setting for strumming and presence, the NOS 75 setting for the Mark II professional-style Bender fuzz tone, or a silicon 3-transistor topology circuit for a more modern take on this legendary fuzz.