Shure's half-cardioid condenser boundary microphone, the BETA91A, is ideal for capturing bass drums and traditional low-frequency sounds like piano. Its characteristic switch allows you to filter the low- to mid-range response, creating powerful punch in the low frequencies and ample attack in the high frequencies. For a natural sound, leave the switch in the flat position.
This boundary condenser microphone captures clear sound without losing the definition of the sound. It can be used for musical instruments as well as meetings.
Boundary Microphone's classic PCC-160 is perfect for podiums, conference rooms, and news desks, and its sturdy steel body makes it extremely durable. Built-in preamplifier and RFI filter, allowing for long output cable routing.
This is the latest boundary microphone that uses the same capsule as the SE8. This microphone is useful not only for kick drums and pianos, but also for speeches, meetings, and other situations.
Omnidirectional boundary microphone CM11B. The thin, small body allows you to collect sound without making the microphone stand out. It has a mounting hole for mounting on a wall or ceiling.
The PCC170 is a professional boundary microphone with an ultra-unidirectional pattern that minimizes background noise and feedback. Designed for use on conference room tables and lecterns, it features a bass tilt switch that allows users to adjust low-end response and reduce noise.
This half-cardioid boundary microphone is useful for stage performances, lectures, meetings, etc. It's also ideal for percussion instruments like bass drums and cajons.